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Color

Color guide: palettes, grading and contrast

Color is the first thing a viewer perceives, even before understanding what's in the image. It's also what ties an image most to a brand: a repeated palette makes a profile or campaign recognisable.

There are three layers of decision: the palette (which colours), the grading (the overall tone, warm or cool) and the intensity (saturation and contrast).

Palettes

A palette limits the colours that appear. Earth tones convey naturalness, pastels softness, black and gold luxury, corporate blue seriousness. Choosing a palette is the fastest way to make several images look like the same series.

Grading and temperature

Grading is the image's overall tone, like a film filter. Warm feels close and nostalgic; cool feels distant and modern; teal & orange is the classic of commercial cinema.

Black and white, accents and contrast

Removing colour focuses attention on shape and light. A single colour accent on a neutral background directs the eye exactly where you want. High contrast adds energy; low contrast, calm.

Common mistakes

  • Asking for two palettes at once: the tool blends them and neither survives.
  • Listing loose colours (“blue, red, green”) instead of a palette with intent.
  • Changing palette in every piece of the same campaign.

Example combination

Earth palette and lots of air for a furniture brand.

Composition (Pro code: with Pro you see which one it is and can copy the combination)"Design chair in an empty room" Lighting (Pro code: with Pro you see which one it is and can copy the combination) Color (Pro code: with Pro you see which one it is and can copy the combination) Style (Pro code: with Pro you see which one it is and can copy the combination)-4:5

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